Down the steep narrow stairs to Eardrum’s studio demi-monde in Clerkenwell, where you are greeted by the unmistakeable notes of an old Sun Ra tape and a sense of being deep underground.

Enter a blonde wood-panelled recording space (that late at night looks, and sometimes feels, like a sauna), piled up to the roof with kit. In the midst of this cacophony-in-waiting are Lou Ciccotelli and Richard Olatunde Baker, seasoned musicians with respective histories in Laika, Spleen, Mass, Kevin Martin’s God and Ice projects as well as Cath Coffey, NT, the poet Akure Wal and various African percussion groups. Now they begin playing together, back to back, lost to the shifting patterns of rhythmic percussion. This is the simple heart of Eardrum’s hypnotic groove assault.

Eardrum’s second album, Side Effects, is a testament to the methods of both improvisation – afrobeat, free jazz, musique concrète and carnival street music – and the insularity of studio manipulation. Inspiration comes from Miles Davis, Lee Perry, Fela Kuti, the limitless influence of African music and the aural chaos of London life.

Limited edition double black vinyl LP (1,800 copies) – BAY 18V

CD in 6-panel digipak – BAY 18CD

BAY 18E